The stone floor beneath my back, humming with a low, frantic frequency that rattles my teeth. It’s the Black Level alarm so deep and dissonant it feels like a physical weight pressing against my chest. I sit up, the shackles biting into my wrists with a cold, mocking sting. Beside me, Brixen is a huddle of shadows, his breathing shallow and jagged. The iron door of the cell screams as it is thrown open. The new head stands there, his face the color of bleached bone. Sweat has turned the dust on his forehead into a muddy sludge. He doesn't look like a jailer anymore; he looks like a man standing on the edge of a cliff. "Get out now!" he gasps. His hands tremble as he fumbles with the key to the shackles. The moment the iron bands fall away, I feel my wrists can finally breath again. "What's going on?" I ask, rubbing the irritation off each wrist. "Why is there another alarm.""ThatI should be the one to ask you why that is so." He replies, his stare stinging me right in the fac

The air in the Globe's main square tastes of stale sweat and scorched copper which is thick with the heat of a mob that has found its target. I stand at the center of it all, arms locked around Sommy's limp form. Her weight presses against my chest like a stone, her breath a wet, irregular rattle."Out! Out! Out!"The chant hits like a physical blow. I look up at faces I once called neighbors—people who shared communal soup during the frost—now twisted into masks of primal terror. They aren't looking at me. They're looking at the purple, pulsing veins on Sommy's neck. To them, she isn't a child anymore. She's a countdown.Hugh and Elsie are shoved through the iron gates. Hugh stumbles as a Guard throws a tattered rucksack at his chest; it hits the dirt and spills dented cans and dried grain. Elsie clutches a bundle of clothes, her knuckles white, her eyes darting between the Council's fury and the dark mouth of the wasteland beyond."They don't want us," Hugh rasps. "We have to move b

The cottage is no longer a home; it is a cage of echoes. The fire in the hearth has died down to a bed of glowing, resentful embers that cast a flickering red light across the floorboards. In the corner, the bed creaks—a rhythmic, mechanical sound. Creak. Snap. Hiss. I stand at the foot of the bed, my shadow stretching out long and jagged, merging with the darkness that clings to the corners of the room. Sommy—the creature that wears Sommy’s face—is tied to the frame with heavy, iron-reinforced leather straps Hugh found in the barn. She doesn't scream. She doesn't cry. She only thrashes with a mindless, twitching strength that makes the old wood groan. I reach out, my fingers hovering just inches from her cheek. Her skin is the color of wet slate, cold and clammy to the touch. When she turns her head, her teeth click together with a sharp, hollow sound, like dice being shaken in a cup. Her eyes, once hazel and bright with mischief, are now two spheres of milky, unblinking fog. She sn

The air in the First Realm—the Realm of the Gilded Sigh—tastes like old copper and dried rose petals. It is a thick, cloying atmosphere that clings to the back of my throat, making every breath feel like swallowing velvet. There is no sun here, only a perpetual, bruised twilight that casts long, distorted shadows across the terrain. Beneath my boots, the ground isn't earth; it’s a mosaic of shattered porcelain and obsidian shards that crunch with a high-pitched, crystalline protest. I walk alone. I left Brixen at the village, a silent sentinel guarding the cottage where the creature wearing my sister’s face is currently gnashing at its restraints. The memory of her milky eyes is a jagged shard in my chest, a constant, goading pain that keeps my feet moving when the exhaustion threatens to liquefy my bones. "The Compass," I mutter. My voice is a low rasp, sounding unnervingly like the dry wind that whistles through the porcelain cracks. Before me, the Labyrinth rises—a sprawling, sh