The days following their first encounter were ones of quiet tension for Alejandro. The echo of "Itztli" resonated in his mind, a name that was a knife, a mirror, an oath. His adult mind strategized: he needed to deepen that contact. But how to justify to his parents insisting on approaching the marked family?
He decided the best cover was the simplest: the innocence of a child looking for a friend. Now past two years old and with a carefully expanding vocabulary, he began to ask. "Mom, play sun girl again?" he asked Citlali one day as she wove. Citlali set down her needle. "Xóchitl, I told you... it's dangerous. Her family doesn't want visitors." "But alone," insisted Alejandro, putting on a genuinely sad face. "Me alone. Her alone. We play here." He pointed to the inner courtyard, a relatively private space. Citlali looked at him, searching his eyes for that flash of ancient wisdom that sometimes surfaced. "Why her, my flower? There are other children." Alejandro couldn't say: Because she's the only one who understands the silent war we wage in our veins. Instead, he used a half-truth: "She shines pretty. Like... like moon on water." The metaphor, too poetic for a two-year-old, made Citlali frown, but it also touched something in her. She, who also shone with a silent, hidden magic. Finally, she sighed. "I can't take you to look for her. But... if you see her at the market, and her mother allows it, you can greet her. Nothing more." It was a minimal opening, but enough. --- Alejandro didn't have to wait long. One rainy afternoon, with the market half-empty, he saw Itztli helping her mother gather their few goods (amulets, dried herbs, small pieces of polished obsidian) before the downpour intensified. He slipped away from Citlali with an "I go help" and approached, tottering in the drizzle. Itztli saw him coming. She stood still, a cloth bag in her hand, her silver hair plastered to her forehead by the dampness, making her look like an ancient silver statuette. She didn't smile. She didn't frown. She just observed. Alejandro stopped before her. Itztli's mother watched them from under the awning, her arms crossed, a vigilant silhouette. "Hello," said Alejandro in Spanish, then, remembering, added in the clumsy Nahuatl he was learning from Citlali: "Ximopanolti (let's play)." Itztli blinked. Her expression was one of total bewilderment. It wasn't the reaction of a girl being invited to play by a boy. It was the cold assessment of a warrior facing an unexpected tactical proposal. Alejandro felt the weight of her gaze: she knew he wasn't normal. His insistence gave him away. "Why?" asked Itztli in clear Spanish. "The others don't want to. They're afraid." Her tone was flat, as if stating a weather fact. Alejandro, forcing childish clumsiness, shrugged. "Boring alone. You... draw eagles. I... can make..." He searched his limited vocabulary. "Towers." He was thinking of the block castles he built with his father. Itztli studied him for what felt like an eternity. The rain fell between them, tracing a veil. Finally, she nodded once, a curt movement. "Not here." She turned to her mother and said something in a rapid, guttural Nahuatl that Alejandro barely caught: "Mother, the Ollin-child wants to play. He doesn't smell like a lie. He smells... old." The warrior woman looked at Alejandro. Her scrutiny was physical, almost painful. Then she nodded, a fractional gesture. "In the dry place. By the old wall. For a little while. When the rain stops." It was a conditional permit, supervised and in a specific place: a semi-ruined corner of an old adobe wall, within sight of their stall but not exposed to the main market. --- When the rain eased to a drip, Alejandro and Itztli sat on the damp earth under the shade of the old wall. There was an empty space between them. No toys. "What do we play?" asked Itztli, her tone still wary, but with a glimmer of curiosity. Alejandro, for the first time, didn't have an adult plan. The System was silent, just observing. It was just a boy facing a strange girl. "You choose." Itztli looked at him, surprised. The other children (the few who ever approached) always wanted to impose their games. She looked at her hands, then at the space between them. She extended a finger and, with fierce concentration, drew in the air. It wasn't a physical drawing. But Alejandro's Eyes of the Fifth Sun saw how a faint thread of golden and purple energy issued from her finger. The thread curved, forming a glyph in the air: CALLI (House). The glyph floated for an instant, glowing with phantom light, before fading. "My grandmother," said Itztli, not looking at him, focused on her own finger. "Made glyphs that lasted. I only... draw smoke." "I see," said Alejandro, without thinking. Itztli stared at him. "You see the smoke?" Alejandro realized his mistake, but it was too late. He nodded slowly. "I see a glow. Like your hair." A long silence. Then, Itztli did something unexpected: she smiled. It wasn't a wide, carefree smile. It was a small adjustment of the lips, a crack in her armor of solemnity. But it completely transformed her face. "Let's play... making houses," she said. "Houses no one else can see." And so, for the next hour, they played the strangest and most wonderful game Alejandro had experienced in either of his two lives. Itztli "drew" with her chaotic energy, sketching glyphs, tiny pyramids, suns with eagle features. Her creations were imperfect, tremulous, sometimes dissolving in a sputter of purple energy. But they were real magic, raw and uncontrolled. Alejandro, for his part, used what he had. With his Eyes of the Fifth Sun, he could see the energy patterns and, with enormous effort, tried to stabilize them. He couldn't create his own magic yet, but he discovered that if he concentrated his will (the same one he used to speak) on Itztli's flickering glyphs, he could make them last a second longer, their forms become a bit clearer. He built "towers" of intention, of pure will, to support her "castles" of chaotic energy. It was a game without words, of intense gazes, of hands gesturing in the air, of sighs of effort. They didn't laugh. They were working, though under the cover of a child's game. » EVENT REGISTERED: MAGICAL SYNERGY FOUND. » INTERACTION: 'ANCESTRAL CHAOS' (ITZTLI) + 'WILL OF OLLIN' (BEARER). » RESULT: TEMPORARY STABILIZATION OF CHAOTIC MAGICAL MANIFESTATIONS (30% EFFICACY). » MUTUAL BENEFIT DETECTED: ITZTLI EXPERIENCES GREATER CONTROL (MINIMAL). BEARER EXPERIENCES GREATER UNDERSTANDING OF CHAOS STRUCTURE. » TRUST LEVEL (ITZTLI): INCREASING. --- When the sun began to filter through the clouds, Itztli's mother made a signal. It was time to go. Itztli let her hand fall. The last glyph, an eagle with wings spread that they had managed to hold for almost five seconds, vanished. She looked at Alejandro, and this time her expression was open, though still grave. "You... aren't afraid," she said. "You either," replied Alejandro. "I'm afraid of other things," she confessed, lowering her voice. "Of men with iron crosses. Of the night that comes asking for my grandmother." Alejandro felt a chill. "Do they come?" "Sometimes. My mother sees them pass. We hide." Itztli looked toward her mother. "Playing with you... is dangerous for you." "I have a secret too," said Alejandro, pointing to his own eyes, which glowed faintly as he activated the Fifth Sun for an instant. Itztli nodded, as if that explained everything. "Then... we are secrets together." "Secret friends?" proposed Alejandro. She considered the word "friends" as if it were a foreign concept. Then, she nodded. "Secrets. That's better." Before she left, Alejandro remembered something. "My mom calls me Xóchitl. My dad calls me Miguel. You... call me Ollin?" Itztli thought about it. "Ollin is your path. It's not a name for friends." She paused, and for the first time, she seemed like a real child. "Tepi." Alejandro didn't know that word. "It's small. Like you. But it's also... the beginning of something. The tip of the spear." She turned to leave. "Until next time, Tepi." Alejandro watched her walk away, her silver hair now shining under the emerging sun. » NEW DENOMINATION OBTAINED: 'TEPI' (FROM ITZTLI). » MEANING: SMALL / BEGINNING / TIP OF SPEAR. » IMPLICATION: RECOGNITION OF POTENTIAL AND STATUS AS CLOSE ALLY. » RELATIONSHIP UPDATED: ITZTLI – BASIC TRUST ESTABLISHED. PRIMITIVE MAGICAL COMMUNICATION CHANNEL DISCOVERED. --- Citlali found him sitting by the wall, staring into space with a pensive expression. "Are you okay, Xóchitl? Did you play?" "Yes," said Alejandro, smiling for the first time with a genuine, unfeigned happiness. "I played at making houses out of air. With Itztli." Citlali sighed, but saw there were no traces of visible magic, no danger. Just a tired, content child. "Alright. But remember, it's our secret too. Don't tell your father about her... not yet." Alejandro nodded. He understood. Álvaro would see only the danger, not the shared glow in the rainy air. That night, as Don Álvaro told him a story about Santiago Matamoros, Alejandro thought of glyphs of fire and a girl who had given him a new name. He wasn't Alejandro. He wasn't Xóchitl. He wasn't Miguel. For the first time, the man reborn in this world wondered if it was time to leave his past life behind and recognize his new life for what it was: his real life. Tepi was a name born of a connection forged in magic and secrecy. A name that meant beginning. He had achieved his goal. He had drawn closer. And he had found not just a source of chaotic magic, but someone as lost and as found as himself. The game was over for today. But the match between Movement and Obsidian had only just begun.Latest Chapter
chapter VIII: Games and Obsidian Shadows
The days following their first encounter were ones of quiet tension for Alejandro. The echo of "Itztli" resonated in his mind, a name that was a knife, a mirror, an oath. His adult mind strategized: he needed to deepen that contact. But how to justify to his parents insisting on approaching the marked family?He decided the best cover was the simplest: the innocence of a child looking for a friend.Now past two years old and with a carefully expanding vocabulary, he began to ask."Mom, play sun girl again?" he asked Citlali one day as she wove.Citlali set down her needle. "Xóchitl, I told you... it's dangerous. Her family doesn't want visitors.""But alone," insisted Alejandro, putting on a genuinely sad face. "Me alone. Her alone. We play here." He pointed to the inner courtyard, a relatively private space.Citlali looked at him, searching his eyes for that flash of ancient wisdom that sometimes surfaced. "Why her, my flower? There are other children."Alejandro couldn't say: Becaus
Chapter VII: The Name and the Eagle's Nest
The image of the sun-haired girl didn't leave me. In the following days, my adult mind analyzed, made plans, weighed risks. But a deeper, more existential thought began to haunt me: the question of my name.I would have to approach her. How should I introduce myself? As Alejandro, the ghost of an impossible future? As Xóchitl, the secret name my mother gave me with love and resistance? Or as Miguel, the façade my father and the world expected?One afternoon, while playing with wooden blocks carved by my father, I had a decisive internal dialogue:Adult Thought: "If I approach a living relic of pre-Hispanic Mexico, one carrying the weight of persecution, introducing myself as 'Miguel' would be an insult. It's the name of the conquering archangel, of the order seeking to extinguish what she represents."Child Translation (babble): "Miguel... no."Adult Thought: "'Xóchitl' then? It's a beautiful name, of the earth, from my mother. But... is it really my name? I accepted it as a disguise,
Chapter VI: First Words and the Eagle's Path
The grey magical pulse didn't attract inquisitors, but it did alter the balance of the house. Dad lived with his gaze fixed on the window, expecting to see the grey shadow of a friar. Mom, in contrast, more practical, watched her son with a mix of fear and pride. She had seen what I did, or at least, she had felt the echo. The magic of "her Xóchitl" wasn't just a passive gift; it was a force that responded to the world's pain, and that made it as beautiful as it was terrifying.For my part, I dealt with a more mundane but equally overwhelming frustration: I wanted to speak. It was annoying not being able to communicate. Every time I tried to say something, it translated into babbles and crying—not practical for an adult in a child's body.It was a month after the incident, during the spring. I spent the whole time, concentrating all my trapped adult will into the vocal cords of a nearly one-year-old baby, finally taming his babble. Mommy was feeding me hot atole, blowing softly on the
Chapter V: First Blood, First Omen
The peace that followed Alejandro's crying was fragile, woven with evasive glances and silences that lasted too long. Don Álvaro spent hours checking the door locks, as if he could contain with wood and iron what his son had unleashed upon the world. Citlali, in contrast, moved with silent determination. She had seen it in her son: the spark couldn't just be seen; it could burn. And fire, without a channel, consumes its bearer first.A week after the incident, while my father was out trying to sell some fabrics, Mom knelt before the cradle where I played with a gourd rattle. For some reason, even as an adult in a baby's body, I felt intrigued by how this object worked as I shook it. Incredible how you work... did they use a gourd, dry it out, and then fill it with seeds? I wondered in my thoughts as I kept shaking it."Xóchitl," whispered Mom, using the forbidden name in broad daylight. "Your blood is awake, and the world hears it. We cannot let it cry out alone."Her hands, calloused
Chapter IV: The First Cry of the Fifth Sun
Winter gave way to an early spring, but in the De la Cruz home, the chill of the "Echo of Order" still clung to the rafters. Alejandro, now nearing eleven months, wrestled with the strange duality within himself: the glacial gleam of the friar's blessing, like a crystal embedded in his spirit, and the torrid heat of Earth Magic flowing in his mother's blood. Between both, his newly unlocked Eyes of the Fifth Sun flickered like a poorly extinguished ember.The first signs were subtle. Unconscious.Alejandro, frustrated by his inability to move or communicate, often activated his new vision unintentionally. One afternoon, as Citlali ground corn on the metate, Alejandro watched her, longing to tell her something, anything, to thank her for her care. He concentrated his frustration, and for an instant, his Eyes of the Fifth Sun fully activated.He didn't see just his mother. He saw an aura of silent resistance. Golden and green lines, like roots of an ancient tree, stretched from her hear
Chapter III: The Burning Blessing
Chapter III: The Burning BlessingThe first winter in New Spain fell with a cold that pierced through the adobe walls. For me, now nine months old, the cold was a physical novelty, but my mind registered something else: the seasonal shift altered the magics of the valley. The Magic of the Earth withdrew, slumbering beneath the soil, while the Magic of Order – that cold, geometric clarity of the Spaniards – seemed to strengthen, filling the air with a barely audible metallic resonance.It was in that context that the friar arrived.---Don Álvaro received the news with a mix of pride and apprehension. A Franciscan friar, Fray Bernardo de la Cruz (no relation, just the pious coincidence of the surname), would visit the homes of the Tlatelolco parishioners to collect the "offering of faith" – a donation in kind or coin for the construction of the Colegio de la Santa Cruz, intended to educate the sons of the indigenous nobility. Or so the edict said.In reality, everyone knew it was a spi
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