2022-07-06 22:55:12Nine years of education had slipped from our lives, but it only hit us when teens our age had started middle school. Talking with them was the only way for Sanae and me to get close to it.
Our biological parents had abandoned us. In the only letter they left, they asked whoever found us to never get our DNA checked. That meant we could never be registered as citizens, which made it impossible for us to do a lot of things, which included being able to go to school.
Butcher, the man that found us, did everything in his reach to give us a normal life. He struggled with money, so he had to make many sacrifices. Although we were too young to understand at the time, we did as we grew up. He abandoned his dreams for us and his life changed completely; it was only fair for us to return the favor.
Thanks to him, we enjoye
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The First Galactical Idols
We began the tour with enough energy to power the entire world, and so we did. The first half of the tour took place in the biggest venues in our country, followed by arenas, domes, forums, and stadiums around the world with a capacity of up to sixty thousand people. All of the concerts were live-streamed on the QNet, and included Furenoora, Plaraqor, and Slixam, making us the first idol group to transmit a concert to other planets. Thankfully, the tour was filled with adventures and good times. We had learned enough to be able to avoid most of the problems we had in the past, although that didn't save us from the mistakes of others. Haru accompanied us throughout the majority of the tour to get experience since she was about to become the only CEO of GIMA.
…Are Real Today
Although work on the fourth album had already begun before the conference, it accelerated after that. Half of the team focused on it, while the other half focused on the rest of the projects. Two developers were hired to start working with the people in charge of the QTubers project—Aya and Tomokazu—and with Jun, who was the designer. The developers could also work on other projects related to the QNet or even Humas, if GIMA ever decided to make them. Prior to opening our studios to other artists, GIMA invested a considerable amount of money in renovating the buildings on the street where HQ was located, while keeping their antique architecture. However, we didn't expect the government to acknowledge our actions and even commit to allocating more resources to the Trading District over the following years.
Dreams of Yesterday…
After revealing Blostars' future to the girls, everything was discussed in several meetings with the entire company. No one expected it to happen so soon. More importantly, it was going to be a huge blow despite the decision feeling like the right thing to do.Even though it took multiple weeks to come up with a plan, we were all able to come to an agreement.The first part of the plan was to schedule a press conference, for which GIMA's HQ didn't have space. We asked TOTOT to lend us theirs, and they accepted without asking any questions. However, I had another request.The longer we waited, the more likely it was for the announcements to get leaked. So, the day of the press conference arrived in the blink of an eye.Walking out of the green room and seeing dozens of ca
Highs and Lows
Even though we were in a proper venue on Plaraqor, it only had a capacity for five hundred Plaqories, who were similar in size to Humans. Still, the space backstage was very limited. The entire team couldn't fit in the green room at once. Luckily, that was a rare occurrence as most of them were working elsewhere. Sanae finally stepped out of the bathroom after fifteen minutes. I walked in and washed my hands and my face to freshen up, then I approached the toilet to use it. However, I hadn't even unzipped my pants when Sanae's yell made me jolt. "Who ate my sour candies?!" I sighed. Now what? All of GIMA's team in the room glanced at each other in silence when I stepped out.
The Third Final Stretch
Ms. Yoshida and I agreed on the time later in the day, and the next morning arrived before I realized it. There was no need to wear something too formal since we had known each other for a while, but that decision backfired as soon as I stood in front of the glass door of the meeting room at TOTOT Studios. A suited man was sitting at the same table as Ms. Yoshida, not too far away from her, which caused me to freeze in place. Could that be…? My eyes met with Ms. Yoshida's, so I had no choice but to step in. "It's great to see you, Mr. Miyahara," greeted Ms. Yoshida. "Thank you for coming." "Good morning, Ms. Yoshida," I replied as I approached the table.
Paying Off
Work accelerated despite the uncertainty of the tour, and before we realized it, all of the songs had been written. Life Is Life, the title track, was the perfect introduction to the album. It described what life was and what it meant for any living being in an uplifting manner. Umi had done an incredible job using concepts that were easy to understand. Shapes & Colors, the second song of the album, talked about how life is life, no matter the shape or the color, the body or the culture. It had an uplifting tone just like the title track. Barriers was the third song of the album, making it clear that every species had its own challenges and problems to deal with. More than uplifting, it was a reminder that we really couldn't meddle in another species' life. We Ar
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