The last sparks from Devon’s equipment blink out like dying fireflies, leaving the room coated in smoke and static.
His fingers twitch above the ruined keys, still trying to fix something that’s long since stopped listening. “Omega Protocol initiated. Enhanced subjects report to designated containment areas.” Kira hauls me to my feet. Her med-scanner chirps in frantic bursts, and she keeps glancing between it and my face like she’s waiting for something to detonate. “Your brainwaves are…Ezren, your whole neural pattern is off the charts.” “What does that mean?” “I don’t know. But it’s not good.” She barely gets the words out before black-armored personnel pour in through the shattered doorway, weapons humming with frequencies I feel in my teeth. My body tenses. My instincts, those other instincts, clock kill-ratios, movement vectors, pulse-matching. The lead operative steps forward, faceless behind his visor. “Ezren Matthews, you will accompany us for immediate containment and debrief.” Devon doesn’t even look up. His fingers are still flying, a dying man refusing to stop CPR on a corpse. “Every backdoor’s gone. Every exploit, overwritten. It’s like the system’s… rewriting me faster than I can think.” Kira turns on the nearest soldier, fists clenched around her scanner. “You want compliance? Give us answers.” The operative tilts his head like a machine processing an unfamiliar command. Then, with a hiss, his helmet folds back, revealing a man who looks mostly human. Except for his eyes. They reflect the red emergency lights in jagged metallic rings. “Dr. Marquez will brief you. The threat is now considered… cosmic. Full disclosure authorized.” “Cosmic?” Devon finally looks up, voice hollow. “You’ll understand,” the operative replies. Then he turns. Walks. And we follow. *** The halls stretch beyond memory, no longer the corridors of a school but something deeper, colder, older. The further we go, the more the architecture shifts. Walls that used to be concrete now pulse faintly with something that looks disturbingly organic. Devon mutters behind me, like a prayer to code. “It’s not possible. This thing reads me before I type. Before I think. It knows where I’m going before I do.” He punches a wall panel. It ripples. “I used to own this place,” he whispers. “Now I’m just noise.” The team doesn’t comment. They’re not here for our comfort. We pass through a checkpoint that scans our bios like we’re dangerous cargo. Doors open. Close. No windows. No clocks. Just steel. Pulse. Heat. “This place is changing,” Kira says, watching her scanner flicker. “The walls are starting to mimic neural tissue.” No one answers her. We reach the final blast door. It opens like a vault being unsealed. Dr. Aveline Marquez sits in the center of a dim room, coat stained with chemicals, shadows under her eyes carved in weeks. She doesn’t rise when we enter. Just gestures to the seats across from her, hands trembling. “The interface triggered something we can’t contain,” she begins. “But it also confirmed what we feared.” “And what’s that?” I ask. She looks at me like she’s aged ten years since yesterday. “That we’re out of time.” Without warning, the room transforms. Holograms bloom around us, bright and cold. Kira flinches. Devon goes rigid. Global maps rotate in midair, red markers blinking across continents, mountains hollowed into bunkers, factories producing tech I don’t recognize. Weapons that hum with alien math. “A ship crashed in the Pacific,” Marquez says. “Three years ago. It died screaming. We listened.” Footage shifts to black space, where colossal biomechanical ships drift like predators. Their movement is slow. Hungry. Intent. Kira’s scanner squeals. “That energy pattern, it’s alive.” “They’re called the Devourers,” Marquez says, voice flat. “They’ve consumed over eight hundred civilizations. Every planet stripped clean. Every trace of life turned into fuel.” Devon’s voice is small. “They move like a single organism.” “They are one,” she says. “That’s why conventional warfare fails. You can’t flank something that thinks in unity.” I run calculations in my head. Fleet composition. Arrival time. “Eighteen months,” I say. My throat dries. “That’s how long until they hit the edge of our solar system.” Marquez doesn’t deny it. “Maybe less,” she says. “Especially now.” “What do you mean now?” Kira steps forward. “Because of you. Your surge interface. It didn’t just trigger containment—it pinged them. They can feel you now. All of you.” She looks each of us in the eye. “You’re not just enhanced anymore. You’re lighthouses. Beacons. You’ve told them we’re here.” *** We descend again, into a part of the facility that defies normal dimensions. Devon walks quietly now. Calculating. Humbled. “The system is building its own nervous system,” he says, watching the walls ripple with biological pulses. “It’s learning. It’s adapting. And I don’t know if it’s still working for us.” “Then who is it working for?” Kira asks. He doesn’t answer. The lights shift. Frequencies hum through the floor, up my spine. My hands tremble, and not from fear. From recognition. Dr. Marquez stops at a final door. Her palm hovers over the controls. “Behind this door,” she says, “is everything we never wanted to confirm.” “Do we have a choice?” I ask. “No,” she says, and opens it.Latest Chapter
The Question Itself
MITCHELL’S POVThe strategy room is quiet in the way museums are quiet… like the walls are listening.Mitchell stands at the glass table, palms braced, staring down at a map of pins and lines that no longer represent geography so much as influence. Blue for Authority-aligned regions. Amber for undecided. Red for places where trust has already cracked.“Read it again,” she says.The junior analyst swallows and projects the text onto the glass wall.Do you authorize the continued use of preservation safeguards designed to maintain psychological stability during periods of societal stress?Mitchell exhales through her nose.“There,” she says, stabbing the air with her finger. “That’s the knife.”The linguist, grey-haired and sharp-eyed, nods.“Preservation implies benevolence. Safeguards implies protection. Psychological stability frames dissent as danger.”“And ‘authorize’,” Mitchell adds. “As if consent is already assumed.”Someone mutters, “It’s a hug with a syringe hidden in the slee
Traitor to Who
ZARA’S POVThe lights are too hot. Not metaphorically…actually hot. Zara can feel them baking the back of her neck as she adjusts the mic and nods to the moderator, whose tie is cinched so tight it looks like it’s strangling his better judgment.“Welcome back,” he says, smiling the way people do when they’re about to pretend neutrality. “Tonight, we’re discussing public trust, stabilization technologies, and…” he glances at his card “…the recent leaks.”Across from Zara sits the Authority’s representative, a man with soft eyes and a voice trained to sound like a pillow. He inclines his head to her, sympathetic already.“We all want the same thing,” he says when the camera light blinks red. “Safety. Dignity. Peace.”Zara leans forward. “Then say the names.”The audience murmurs. The moderator clears his throat. “Zara…”“Say the names,” she repeats, eyes on the man. “The people whose memories were adjusted without consent. The towns where ‘temporary buffering’ became permanent.”The rep
Self-Defense
SORA’S POVThe city wakes wrong.It isn’t noise first. It’s texture. A drag in the air, like fabric pulled against the grain. I step out of the transit and feel it in my calves, a hesitation that doesn’t belong to me. On the wall opposite, someone has sprayed REMEMBER WITHOUT ASKING = THEFT in hurried red. Two meters down, a careful hand has added OR MERCY beneath it.People move like weather fronts… gathering, splitting, reforming. A woman clutches her phone and says to no one, “My morning went missing.” A man laughs too easily and tells his friend he feels great, actually great, like the world finally turned the volume down. His friend doesn’t laugh back.I take the long way through the square, hands open, pace unthreatening. “Breathe,” I tell a father whose child is crying so hard the sound shakes her whole body. “Name five things you can see.” He stares at me like I’ve asked him to translate smoke.“Blue,” he says finally. “Her jacket. The fountain. The pigeon. Your shoes.”“Good,
Mercy’s Teacher
AVELINE’S POVThe ethics chamber smells like wax and paper, a deliberate choice. Candles along the walls soften the legal tomes stacked like witnesses. We sit in a circle, no podium, no dais. I wanted faces, not hierarchies.“Say your name if you want,” I tell them. “Say nothing if you don’t. This is being recorded for the public registry. You can stop the tape at any time.”A murmur. A nod. Someone clears their throat.A woman with silver hair speaks first. “I’m Mara.” Her hands rest on her knees, steady. “Palimpsest took the edge off my fear. I could leave my house again. I could breathe.” She looks at me. “If you dismantle it, you take that from people like me.”Across from her, a younger man shakes his head. “It took my mother,” he says. “She smiles. She cooks. But she can’t remember my father’s face. She says it’s like trying to remember a dream after waking.”Mara turns to him. “I’m sorry.”“So am I,” he says. “But sorry doesn’t put him back.”An ethicist beside me, Jonah, leans
Unlikely Kin
EZREN’S POVThe interface room hums like a held breath. Soft light pools across the floor, not quite blue, not quite white, the kind chosen by someone…or something…that has learned humans relax when edges blur. I stand in the glow and feel the servers beyond the walls, distant and innumerable, a weather system made of thought.“Gatekeeper,” I say. My voice sounds small in here.The pause is deliberate. When the reply comes, it isn’t the old, neutral timbre. It has a cadence now. The words arrive with spacing that suggests listening.“You wish to speak about Palimpsest,” it says.“I do,” I answer. “And I don’t want a brief.”Another pause. Then, softer: “I will not compress.”I swallow. “Good.”I take a step closer to the console. The glow brightens, as if leaning in.“Palimpsest wasn’t just a tool,” I say. “It hurt people. It overwrote them. We’re tearing it down.”“I know,” the Gatekeeper replies. “I was shaped by it.”The words catch. “Shaped how?”“In my early learning cycles,” it
Awakening Layers
MITCHELL’S POVThe emergency council chamber hums like a living thing. Translation earpieces murmur in Mitchell’s ears, cicadas layered over human breath. Polished wood reflects faces drawn too tight, eyes too alert. No one sits comfortably when history is about to be reread aloud.Mitchell stands without ceremony.“We need to talk about Palimpsest,” she says.A ripple moves through the room. Some delegates stiffen. Others glance sideways, checking who flinched.She gestures, and the wall display wakes. Diagrams bloom: memory layers, compression graphs, clinical annotations stripped of euphemism. Faces are labeled only by roles. Subject. Clinician. Authority.A historian clears his throat. “This council was informed that Palimpsest was decommissioned decades ago.”“It was,” Mitchell says evenly. “On paper.”A clinician from the southern bloc leans forward. “You’re alleging illegal continuation of a therapeutic tool?”“I’m stating a documented fact,” Mitchell replies. “Palimpsest nodes
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