A memory is just a file in the wrong hands.
The cafeteria at three in the afternoon is a liminal space—too late for lunch, too early for dinner, occupied only by the desperate and the displaced. Swan sits at a corner table in Static Grounds' physical annex (a building that exists on campus maps only when you're not looking for it), watching Elara arrange objects with the precision of a scientist preparing for surgery.
One lunch tray. One apple. One bottle of water. One plastic fork.
"Start with the tray," Elara says, her voice clinical despite the exhaustion bruising the skin beneath her eyes. Her notebook lies open beside her, pen poised to record. Three new bracelets gleam on her left wrist, engraved with timestamps from the past twenty-four hours. "Nothing dramatic. Just... make it not-there."
Swan stares at the tray. Institutional blue plastic, scratched from years of use, still bearing the faint ghost of someone's spilled coffee. It's aggressively mundane. Undeniably real.
He closes his eyes. Lets his perception shift.
The code-layer emerges slowly—he's getting better at the transition, less jarring, more controlled. The tray resolves into a density map of polymer chains and mass distribution. But surrounding it, supporting it, giving it presence in reality, are observation threads. Connections to every system and consciousness that's currently aware of the tray's existence.
Elara sees it. He sees it. The cafeteria's inventory system tracks it. The table surface registers its weight. Even the ambient security cameras have logged its position in their continuous surveillance feeds.
To make the tray disappear, Swan needs to edit all of those observations simultaneously.
"This is insane," he mutters.
"Probably," Elara agrees. "Do it anyway."
Swan reaches out with that part of himself that interfaces with the code—not his hands, but something deeper, more fundamental. He finds the observation threads and starts pulling them, one by one. Tells the inventory system the tray was already returned. Tells the table surface there's no weight pressing down. Tells the cameras their visual data is corrupted, unreliable, better to interpolate over the anomaly.
And tells Elara—
He hesitates. Tampering with another person's direct perception feels invasive. Wrong. Like reaching into someone's mind and rearranging the furniture.
"It's okay," Elara says softly. She's watching him with those flickering eyes, and somehow she knows exactly where he's stuck. "I consent. I need to experience this. Need to understand what it feels like when you edit reality."
Swan nods. Finds the observation thread connecting Elara's consciousness to the tray's existence. It's stronger than the others, more resilient—her Anchor nature makes her harder to fool. But he touches it anyway. Gently. Carefully.
The tray was never there. You're looking at an empty table.
The observation thread resists. Flexes. Elara gasps, her hand flying to her temple.
"Keep going," she grits out through clenched teeth. "Don't stop."
Swan pushes harder. The thread begins to fray, to accept the new narrative. And then—
The tray vanishes.
Not dramatically. No flash of light or dramatic dissolution. It's simply not there anymore. Has never been there. The table surface is empty, and when Swan opens his eyes fully, even he has to blink twice to convince himself there was ever anything to remove.
Elara stares at the empty space, her nose beginning to bleed. She touches the void where the tray was, fingers encountering nothing but table.
"I remember," she whispers. "I remember putting it there thirty seconds ago. But I also remember the table always being empty. Both truths exist in my head simultaneously, and they're—they're—"
Her voice fractures. Swan grabs her hand, and the contact stabilizes her. The flickering in her eyes slows.
"Write it down," he urges. "Before the memory resolves one way or the other."
Elara's hand shakes as she scribbles in her notebook: Tray disappeared at 15:07. Swan manipulated collective observation. I remember both states. Contradiction pain index: 7/10. Nosebleed: moderate. Reality feels thin.
"Where did it actually go?" Swan asks. "The physical object. The matter."
"Nowhere. Everywhere." Elara wipes blood from her nose. "You didn't destroy it. You just... edited it out of the narrative. The tray still exists somewhere in the substrate, but no one's observing it, so it might as well not exist at all. Schrödinger's cafeteria equipment."
She looks up at him, and despite the pain, there's wonder in her expression.
"Do it again. But this time, make it come back as something else."
Over the next two hours, Swan performs miracles and atrocities in equal measure.
The tray reappears, but as a bowl of fruit. Fresh strawberries and sliced melon that taste real because reality has been convinced they are real. Elara eats one, documenting the flavor, the texture, the impossible fact of matter being rewritten at a fundamental level.
"How do you feel?" she asks between bites, her pen never stopping.
"Tired." Swan massages his temples. A headache is building behind his eyes—dull, persistent, the cost of sustained code manipulation. "Like I've been lifting weights with my brain."
"That's accurate. You're exerting force on the substrate layer. There's always a cost." Elara's hand trembles as she writes. "I'm maintaining dual memories of each change. The tray that was and wasn't. The fruit that appeared from nowhere and has always been here. My brain is compiling contradictions faster than I can process them."
"We should stop."
"Not yet." Determination hardens her voice. "We need data. Need to understand the limits. One more test."
She pulls out her phone, sets it to record video, and places it on the table aimed at the fruit bowl.
"Make it disappear again. Let's see if the recording captures the edit or if it rewrites that too."
Swan doesn't want to. Can see the blood crusting beneath Elara's nose, the way her hands shake, the cost accumulating in her flesh. But she's right—they need to understand.
He reaches into code-space again. Finds the observation threads. This time it's easier, the pathway familiar. He edits the fruit bowl out of existence, and this time he's conscious enough to feel what he's doing.
He's not just changing visual perception. He's altering memory. Every observer's recollection of the table updates in real-time, rewriting history so the fruit was never there. Even his own memory tries to shift, insisting the table has been empty all along.
Only Elara resists, and she pays for it with a sharp cry of pain.
Swan releases the manipulation immediately. The fruit bowl snaps back into existence—or maybe it was always there, and for a moment reality forgot.
"Jesus, Elara—"
"I'm fine." She's not fine. Blood streams freely from both nostrils now. Her eyes flicker so rapidly they're almost strobing. "Check the video. Check what it recorded."
Swan picks up the phone with shaking hands. Plays back the footage.
The recording shows the fruit bowl sitting on the table, unchanged, for the entire duration. No disappearance. No glitch. The camera simply never noticed the edit.
"The manipulation affects recorded data too," Elara says, writing with violent intensity. "Not just live perception. You're editing multiple layers of reality simultaneously—physical presence, conscious observation, and electronic documentation. That's..." She stops, calculating. "That's terrifying. And incredible. And we need to tell no one about this ever."
"Agreed."
A sound draws their attention—laughter, distant but distinct, echoing from somewhere in the cafeteria's empty spaces. They both freeze, listening. The laughter comes again, closer this time, but when Swan looks around, there's no one else here. Just them and the impossible fruit and the blood-stained notebook.
"Echo," Elara says quietly. "Reality remembers sounds sometimes, even when it's forgotten the people who made them. This building has seen a lot of Recoded training sessions. A lot of laughter that couldn't exist anywhere else."
The ghost-laughter fades. Silence settles back over the space like dust.
Swan looks at the fruit bowl. "Try to remember something about me. Something specific."
Elara frowns. "What do you mean?"
"My last name. You wrote it down yesterday, didn't you? In your notebook."
She flips back through pages, scanning her own handwriting. Her frown deepens. "I... I have entries about you. Detailed observations. But your last name is..." She tilts the notebook toward him. Where his surname should be written, there's only a smudge. Not redacted. Not crossed out. Just—absent. Like the ink forgot what it was supposed to spell.
"It's accelerating," Swan says. His voice sounds hollow. "The erasure. Not just deleting my records but removing me retroactively. Soon even you won't remember I had a last name at all."
"Then we anchor you in other ways." Elara flips to a fresh page. "Tell me something that can't be erased because it's too small, too mundane. Your favorite texture. The sound that comforts you most. The time of day when you feel most like yourself."
Swan thinks. "Soft fabric. Like worn cotton. The sound of rain on windows. And late afternoon, when the light is gold but the shadows are already getting long."
Elara writes it down. Her handwriting is shakier than usual, but determined.
"See? Those can't be taken. They're sensory. Subjective. The system can delete facts, but feelings are harder to erase."
"Unless I forget how to feel them."
"Then I'll remind you." She meets his eyes. "That's what I'm for. I'm your external hard drive, Swan. Every memory you lose, I'll keep. Even if it kills me."
"Don't say that."
"It's probably true." She says it so matter-of-factly that it hurts worse than if she'd been dramatic. "Lilith was right about one thing—the contradictions are unsustainable. But I'd rather burn out being useful than fade out being careful."
Swan wants to argue. Wants to tell her to stop sacrificing herself for him. But he also knows that sense of purpose is probably the only thing keeping her functional right now.
He stares at the impossible fruit bowl, at Elara's blood-stained notebook, at his own hands that can reach into reality and edit it like a text document. The power is intoxicating and terrifying in equal measure.
And he's about to discover just how terrifying it can be.
Latest Chapter
Birth of Nyx (2)
Ash grins and reaches into a storage container, producing a black hoodie—but not just any hoodie. This one has been modified, augmented with fiber-optic threads that pulse with faint light, circuitry woven into the fabric that interfaces with the wearer's neural patterns."Been working on this," Ash says. "Technically, it's not clothing. It's a substrate interface. Helps you maintain presence while manipulating code. Also looks appropriately mysterious and dramatic."Swan pulls it on. The fabric settles against his skin with a sensation like touching live current—not painful, but present. Undeniable. The hood shadows his face perfectly, rendering his features ambiguous even in direct light.In the mirror (a cracked thing Cipher salvaged from a deleted storage room), Swan sees himself transformed. Not a fading student. Not a ghost losing coherence. But a hooded figure that could be anyone, could be anything, could be exactly what the frightened campus needs.Nyx."Go save them," Elara
Birth of Nyx (1)
Legends are born from necessity, not choice.The name comes to Swan in a dream he won't remember having.He wakes in Static Grounds' back room—the space Cipher carved out of overlapping server errors and architectural impossibilities, where the Recoded sleep when they have nowhere else to go. His head pounds with the aftermath of yesterday's Daemon battle, the cost still calculating itself in lost connections and degraded memories. But when he opens his eyes, the word is there, carved into his consciousness like someone etched it while he slept.Nyx.Ancient goddess of night. Primordial darkness. The shadow from which all things emerge and to which all things return.Swan sits up, the name rolling around his mouth, testing its weight. It feels right in a way his own name increasingly doesn't. Swan is fading, erasing, becoming more theoretical with each passing day. But Nyx—Nyx could be solid. Nyx could be real. Nyx could exist in the collective consciousness even as Swan dissolves fro
First Blood, First Erasure (2)
Elara finds him ten minutes later, still standing in the same spot, staring at nothing. The cafeteria has mostly emptied—students evacuated to designated safe zones, security teams sweeping for residual corruption. The blast doors have retracted. Reality has resumed its normal functioning, as if the Daemon breach never happened."I felt it," Elara says quietly, appearing at his side. "The major code manipulation. The substrate rippled. I knew it was you." She touches his arm—anchor contact, grounding. "What did you do?""Saved everyone." Swan's voice sounds hollow. "Defeated the Daemon. Rewrote its core programming with a paradox that made it eliminate itself.""That's... Swan, that's incredible. That's—""I knew her." He finally turns to look at Elara. "Maya. My childhood friend. She was here. The Daemon was going to kill her, so I stopped it. And the cost was her memory of me. I watched her forget me mid-sentence. Watched the recognition die in her eyes while she was still looking a
First Blood, First Erasure (1)
Heroes save lives. Ghosts save souls. The cost is always memory.The cafeteria is at maximum capacity when reality tears itself apart.Swan sits at a corner table in the main dining hall—not Static Grounds, but the actual Institute cafeteria, the one that serves two thousand students across three meal periods. He's here because Elara insisted: "You need to practice existing in public spaces. Need to test how long you can maintain presence before the system notices."So far: twenty-three minutes. Long enough to feel almost normal. Long enough to forget, briefly, that he's a ghost pretending to be solid.The sirens start without warning.Not the usual fire alarm or weather alert. This is the sound the Institute reserves for existential emergencies—a cascading wail that starts subsonic and climbs through frequencies human ears weren't designed to process. Every student in the cafeteria freezes mid-bite, mid-conversation, mid-laugh. The sound crawls into their hindbrain and screams wrongn
The Last Polaroid (2)
Elara is gone for ten minutes. Swan spends the time staring at the corrupted photograph, trying to force his memory to fill in the blank spaces where his parents used to be. But the harder he tries, the less substantial they become. Like grabbing smoke. Like holding water. Like trying to remember a dream after waking.Elara returns carrying a camera. Not her usual digital camera with its infinite storage and instant results, but something older. Bulkier. A Polaroid instant camera, the kind that produces physical prints through chemical reaction."Where did you get that?" Swan asks."Static Grounds. Cipher's collection of obsolete technology." Elara sits back down beside him, the camera cradled in her lap like a precious thing. "I have a theory. Digital memories can be edited remotely, rewritten through network connections. But physical media—especially instant photography—creates a chemical record that exists outside the substrate layer. It's analog. Disconnected. Harder to manipulate
The Last Polaroid (1)
Some photographs remember what people forget.Swan finds the photograph in a place that shouldn't exist.He's navigating the maintenance sublevel beneath his former dormitory—the crawlspace between floors where cables run and dust accumulates and forgotten things gather like memories pooling in the dark. He's looking for nothing in particular. Just moving. Just existing in spaces where the surveillance grid has gaps and the erasure protocols haven't thought to look.His hand brushes against something solid tucked behind a water pipe. A box. Small, cardboard, water-stained at the edges. He pulls it free, and in the dim emergency lighting, he sees his own handwriting on the lid: "IMPORTANT - DO NOT LOSE."The letters are faded. The box feels simultaneously familiar and alien, like holding an artifact from someone else's life.Swan opens it.Inside: a single photograph. Four inches by six inches. Physical media, not digital. The kind his generation barely uses anymore, the kind that requ
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