continued from the performance night
The next morning, the streets were buzzing. Not with police sirens. Not with gunshots. But with our name. “Mandem boys kill am!” “You see the one in Nike? That be the real boss.” “Problem be mad o. The boy just fire bars like he dey breathe punchlines.” In Dansoman, Lapaz, and Mataheko — it wasn’t just music heads talking. The local gangs started murmuring too. That’s when things started to twist. Some feared us. Some hated us. Some wanted to be us. But fame in the ghetto ain’t like fame in Accra or on TV. It’s dangerous. Every name you make echoes in the wrong ears. We’d made a name. But we hadn’t made money. And that was the biggest problem. See, we could freestyle on any beat. We could pull a crowd without a poster. But in Ghana, especially in the hood, music don’t feed you — not without a sponsor, not without connections, and definitely not without cash. We needed to level up: • Get in the studio with better mics. • Shoot music videos. • Press CDs. • Pay DJs to spin us on late-night radio. And for all that, we needed cash — real cash. Not “fans” and likes. We needed funding like the industry guys had. Problem brought the plan. One night we were sitting outside a chop bar, chewing gari soakings. He looked up and said, “You know what? Forget all this slow grind. If we want to blow, we have to move like the streets. Let’s push weight.” I paused. “Weight?” “Drugs,” he said. “That’s how these boys are eating. See that Benz that passed by? He dey work for Gavuna.” Now, Gavuna was a name you didn’t speak loud. He wasn’t just a drug dealer. He was the plug. A ghost with eyes in every alley. People said he never used a phone, never stayed in one place for two nights, and once made a man disappear for forgetting change. So when Problem said he could link Gavuna, I didn’t believe him. Until two days later, we met him. It was inside an unpainted house near Banana Inn. No furniture. Just crates. And a short man in a white singlet, playing Lucky Dube on an old stereo. “Na you be the Mandem boys?” he asked. We nodded. He looked at each of us. Slowly. Like he was reading our future. “I like boys wey get fire but calm. You no dey talk too much, that be good,” he said, pointing at me. He opened a small black bag on the floor. Inside were wrapped packages. “I get some customers for Mile 7. You go move these for me this Friday. If you return with clean accounts, we go talk.” Just like that, we were in. The hustle had changed. We trained fast. How to move low. Where to hide stash if you were stopped. What not to say even if they beat you. And Problem — as usual — came up with a genius disguise. “We go dress like Christians,” he said. “White shirts, ties, black trousers. Even Bible sef.” I laughed. “You wan sell coke in Jesus’ name?” He smiled. “No one suspects a saint.” So Friday came. We packed the stash into small bags and dressed like youth fellowship members heading to crusade. Shirts ironed. Faces innocent. Biggie even carried a Bible. We walked straight into Mile 7. But something was off. The street was too quiet. The usual crowd wasn’t there. The clubs looked frozen. And people were watching us — not like fans, but like snitches. Then O Don whispered: “Yo… police dey around.” Our heartbeat jumped. Bags strapped. Guilt written on our foreheads. We tried to act normal. Problem started humming a worship song just to add flavor. Then a police van rolled past — slow. Eyes scanned us. One officer even leaned out to stare. Then the van kept moving. We didn’t breathe till it turned the corner. The disguise had worked. If we’d dressed like street boys, we’d be locked up. If we’d run, they would’ve chased. But saints don’t run. We didn’t sell that night. It was too risky. But we weren’t caught — and that was a win. We dipped into an uncompleted building nearby and smoked to ease the tension. Laughed about how scared Biggie looked. Even Problem admitted his hands were shaking. But the night wasn’t done. Later, we hit another club down the road — Club SUE. And there, the goods moved fast. In whispers. In dark corners. In toilet stalls. People bought, we delivered. Simple. That night, we made our first profit. Not millions. But enough for a plan. We sat under a mango tree back at Mataheko and counted the cash. Then I said, “Let’s shoot a video.” Silence. Then O Von said, “Born For War.” “Yes,” I nodded. “That’s the one.” It was our anthem. Our story. Our beginning. That moment marked the shift. We weren’t just street legends anymore — we were trying to become visible. Artists. Ghetto ambassadors. And even though we knew the route was dirty, the goal felt clean. From there, we started planning. Problem spoke to his cousin who had a Canon camera. Biggie had a friend who knew how to edit. And O Don’s sister — Hajia Saskey — said she could get us dancers from her Zongo church. She loved our music. Said it reminded her of the hustle her brothers went through. That same week, we bought thrift clothes for costumes, ironed them flat, and chose a location — a broken warehouse behind a scrap yard. It was time. Time to show the world Mandem wasn’t just noise — we were vision.
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Chapter 25 – Shadows After Glory
The after-party glittered like gold, but beneath the lights, I felt the shadows creeping. We had just made history on the stage, but in the corner of my eye, Killer Jay’s smile still burned.Back at the hotel, the suite was chaos. Journalists swarmed outside, labels sent champagne, and promoters begged for meetings. Problem bragged loud, O Don was already calculating numbers, Biggie stuffed his face with wings, and Lovelone sat with his guitar, humming new melodies. Ruby floated in the room like a quiet queen, but I could see the worry in her eyes. She hadn’t missed Killer Jay either.“Terrell,” she whispered when the noise dipped, “what aren’t you telling me?”I froze. For a second, I wanted to lie. But her stare pinned me.“He’s back.”Her face paled. “Killer Jay?”I nodded. “Saw him in the crowd tonight. Same eyes, same grin. He wants me to know he ain’t done.”Before she could answer, the door banged open. Security pushed in a man in a dark suit, slick voice, fake smile. Corpor
Chapter 24 - Fire on the Stage
The air felt different when we touched down in Johannesburg. Thick with heat, noise, and something else—anticipation. The Pan-African Music Festival wasn’t just another gig. It was the stage. The place where legends were either born or buried.As soon as we walked out of O.R. Tambo International, the flashes started. Cameras popped like gunfire. Reporters yelled over each other, shoving microphones in our faces.“Terrell, is this your global breakthrough?”“Is MMS ready for the world?”“What do you say to critics who still tie you to your gang past?”I kept my head low, shades on, the Ghana flag stitched on my jacket catching the sun. Ruby walked beside me, calm as ever, her hand brushing against mine. She was no longer just my girl; she was my balance. Every time the crowd got too loud, she steadied me with a look.Behind us, Problem was laughing, eating up the attention. O Don had his hood up, sizing up the scene like it was enemy turf. Lovelone, always quiet, kept his earph
Chapter 23 – Drums Before the Storm
Days before the Pan-African Music Festival? Man, they just zipped by for Tero.Mornings? Rehearsal sweat and yelling over drum loops. Afternoons?Meetings, phone calls, label drama. Nights? Flat on his back, eyes glued to the ceiling, his brain spinning through setlists, verse changes, and the freakin’ pressure of representing Ghana to the whole damn continent. This wasn’t some regular gig. Nah.This was Ghana’s pulse, on a stage big enough for the world to tune in.Lagos, Nairobi, Joburg, Dakar—everyone with a screen or a radio was gonna be watching.The stakes? Sky-high. One misstep, one botched hook, and it’s not just his pride on the line—it’s the whole crew, the whole rep.MMs’ rehearsal space reeked of hard work—sweat, sawdust, and that weird bite of old microphones. The boys were deep in the zone.Problem hunched over his MPC, twisting knobs, making the beat smack so hard the budget studio windows rattled. O Don pacing around, muttering lyrics under his breath like he was tryi
Chapter 22 – When the Drums Call
Dansoman had a pulse that week. You could feel it under your shoes when you walked, hear it in the way trotro mates shouted their stops, smell it in the grilled meat smoke drifting over street corners. The Pan-African Music Festival wasn’t just coming — it was swallowing the city whole.Billboards with Tero’s face and the MMs’ logo lit up traffic lights, plastered on trotro backs and painted across shop fronts. News stations were running countdown timers in the corner of their screens. The international press was swarming in, booking hotels from Lapaz to Osu, trying to find the best angles for their live broadcasts.Tero should have been floating on that energy, but the closer it got, the heavier it sat on his chest.The MMs’ rehearsal spot had turned into a war room — cables everywhere, speakers stacked like barricades, microphones wrapped in tape like they’d been through battle. Problem and O Don were running through setlists with that militant focus they had when something real
Chapter 21 - Ghosts in the Greenroom
he roar of the crowd from the Pan African Music Festival felt like a living thing. It wasn’t just noise—it was a pulse, thick and warm, pressing through the walls of the backstage corridor. Every beat of the drum outside seemed to land in Tero’s chest like a second heartbeat. The air smelled of hot lights, sweat, and the faint trace of imported perfume from the festival’s VIP lounge.Tero leaned against the wall, sunglasses down even though it was dim. He wasn’t hiding from the light—he was hiding from the eyes. Fame had a way of turning people into mirrors. They looked at him and reflected back the version of himself they wanted to see—savior, rebel, success story. Few could see the man who still counted debts in silence.Ruby was across the room, talking to a small circle of journalists. Her laugh was light, deliberate, almost calculated—like she knew every flash of a camera was another nail in the coffin of his old image. She was dressed in white tonight, a color that caught the s
Chapter 20 - The City Listens
The comeback wasn’t just music — it was a tremor that ran through the city. Dansoman’s streets had been hungry for something loud, something alive, and when the MMs dropped that performance, they didn’t just feed the hunger — they made the city choke on it.Two days later, the story was everywhere. Street bars had the performance replaying on flat screens, their cracked speakers spitting out Tero’s voice between bursts of static. Radio shows turned into battlegrounds, with callers debating if the MMs were “back for real” or if this was just “one last spark before the candle dies.”Even in the taxi ranks, drivers argued between fares, hands slicing the air. “You see say the boy change?” one would say. “He no dey rap for streets again, e dey rap for future.” Another would snort and say, “Future? The guy still get shadow for back. You go see.”Tero’s face was everywhere — on blogs, trending hashtags, grainy screenshots of the comeback stage. The same man who once made headlines for gun c
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